{"id":66849,"date":"2020-12-09T11:15:37","date_gmt":"2020-12-09T11:15:37","guid":{"rendered":"https:\/\/www.benkadi.org\/portfolio\/musical-traditions-in-mali-in-the-90s-2"},"modified":"2023-08-18T08:07:17","modified_gmt":"2023-08-18T08:07:17","slug":"musical-traditions-in-mali-in-the-90s-2","status":"publish","type":"portfolio","link":"https:\/\/www.benkadi.org\/en\/portfolio\/musical-traditions-in-mali-in-the-90s-2","title":{"rendered":"MUSICAL TRADITIONS IN MALI IN THE 90s"},"content":{"rendered":"<p>The second edition of music and dance traditions in Mali begins with the largest ethnic group in terms of numbers, the Bamana in the from Baninko region. At the same time, the first film gives insight into the approach of field research. Two further documentaries introduce the musical heritage of the Dogon of the Stone Plateau and the Bwa in the Tominian region.<\/p>\n<p><b>THE PERFECT SYMBIOSIS<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><b><i>F\u00f2li<\/i> \u2013 Music of the Bamana <\/b>(32min)<\/p>\n<p>Only a small part of the rich musical heritage of the Bamana could find its way into this documentation. Nevertheless, the chosen genres testify to the great importance of the interaction of song, instrument and dance at the many different occasions in the life cycle of the Bamana.<\/p>\n<div class=\"video-container\"><iframe src=\"https:\/\/player.vimeo.com\/video\/487289250\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><b>FOLLOWING THE ANCESTORS\u2019 PATHS<br \/>\n<\/b><b>The Dogon of the Stone Plateau <\/b>(29min)<\/p>\n<p>The mask dances of the Dogon have established their fame. Furthermore, meaningful funeral songs occupy an important place in their musical repertoire. A wide array of most diverse drum music as well as restrained sounds on flutes and lutes accompany their popular dances at festivities.<\/p>\n<div class=\"video-container\"><iframe src=\"https:\/\/player.vimeo.com\/video\/487130751\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><b>ONE NEVER STOPS GETTING TO KNOW<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><b>THE WORLD<br \/>\n<\/b><b><i>Dimi<\/i><\/b><b>\u0272<\/b><b><i>a <\/i><\/b><b>\u0253\u025b<\/b><b><i> zun ve<\/i><br \/>\n<\/b><b>Music and dance of the Bwa <\/b>(33min)<\/p>\n<p>Buffalo horns, talking drums, xylophones, flutes and harps are played by the Bwa at rituals and public festivities in the savannah of Mali. The fascinating sound of these instruments, the rhythms and the songs offer insight into an ancestral tradition.<\/p>\n<div class=\"video-container\"><iframe src=\"https:\/\/player.vimeo.com\/video\/487130175\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>Supported by:<br \/>\n<img decoding=\"async\" class=\"alignnone size-medium wp-image-66282\" src=\"https:\/\/www.benkadi.org\/wp-content\/uploads\/2019\/05\/federal-foreign-office_ausw\u00e4rtige-amt-en-300x168.jpg\" alt=\"\" width=\"300\" height=\"168\" srcset=\"https:\/\/www.benkadi.org\/wp-content\/uploads\/2019\/05\/federal-foreign-office_ausw\u00e4rtige-amt-en-300x168.jpg 300w, https:\/\/www.benkadi.org\/wp-content\/uploads\/2019\/05\/federal-foreign-office_ausw\u00e4rtige-amt-en-768x429.jpg 768w, https:\/\/www.benkadi.org\/wp-content\/uploads\/2019\/05\/federal-foreign-office_ausw\u00e4rtige-amt-en-1024x572.jpg 1024w, https:\/\/www.benkadi.org\/wp-content\/uploads\/2019\/05\/federal-foreign-office_ausw\u00e4rtige-amt-en.jpg 1432w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><img decoding=\"async\" class=\"alignnone size-full wp-image-66366\" src=\"https:\/\/www.benkadi.org\/wp-content\/uploads\/2015\/09\/Logo-englisch.jpeg\" alt=\"\" width=\"320\" height=\"145\" srcset=\"https:\/\/www.benkadi.org\/wp-content\/uploads\/2015\/09\/Logo-englisch.jpeg 320w, https:\/\/www.benkadi.org\/wp-content\/uploads\/2015\/09\/Logo-englisch-300x136.jpeg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The cultural richness of\u00a0the Bamana, Dogon and Bwa<br \/>\n\u00a9 <i>benkadi f\u00f2li series <\/i> III. Africa in pictures vol. 4. DVD 2021<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[122],"class_list":["post-66849","portfolio","type-portfolio","status-publish","hentry","portfolio_category-filme-en"],"_links":{"self":[{"href":"https:\/\/www.benkadi.org\/en\/wp-json\/wp\/v2\/portfolio\/66849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.benkadi.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.benkadi.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.benkadi.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.benkadi.org\/en\/wp-json\/wp\/v2\/comments?post=66849"}],"version-history":[{"count":0,"href":"https:\/\/www.benkadi.org\/en\/wp-json\/wp\/v2\/portfolio\/66849\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.benkadi.org\/en\/wp-json\/wp\/v2\/media?parent=66849"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.benkadi.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=66849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}